Feinstein works predominantly with Tyvek, a high-density polyethylene industrial material that resembles Japanese rice paper. “It is inexpensive, acid free, and extremely tough and lends itself to manipulation in both two and three dimensions, which suits my inclination to explore a material deeply,” notes Feinstein. She applies various processes to this material including painting, folding, dyeing, crimping, and crumpling to create malleable sculptures that resemble fashion, architecture, or Japanese-influenced decor. Feinstein has been using water from the Ohio River to dilute her paints and mix with the pigments she uses on the Tyvek. She has also done rubbings of manholes and other textural elements to create pattern. “I am inspired by all the things I see around me,” said Feinstein. “. . .drops on a windshield, the clouds, the movement of the tide–everything that is rhythmic and repetitive but in constant motion.”
The inspiration for Feinstein’s Paducah efforts is largely influenced by the work of famous music composer and abstract artist John Cage. His exhibit “No Dawdling” is the theme and mantra Feinstein has adhered to during her Paducah residency. Due to the nature of her creative process, Feinstein required a large space that was not pristine to allow the natural flow of pigments and hanging space for her art. Upon her arrival and with the help of PAA member Paul Lorenz, Feinstein transformed an apartment slated for renovation above MAKE, a gallery/workshop/art supply setting located at 628 Broadway, into a veritable artist’s haven before delving into her creative processes and has already completed a large body of work for her upcoming exhibition.
Feinstein will end her residency on May 31 but will return to Paducah for her solo exhibit to be held at Ruth Baggett Gallery, 1025 Jefferson. The opening reception will be held on June 18. The exhibit will be on display through July 16.